Acrylic on canvas, 51 × 76 cm.
Blood in the Hills explores the meeting point between light and land. The composition is divided into two restrained fields, where colour appears to bleed from one into the other, creating a quiet sense of tension. I was interested in how opposing elements can exist in close proximity, held apart yet influencing one another.
The work reflects on duality and friction, on the subtle moment where contrast becomes connection. Through a limited palette and simple structure, the painting invites a slower reading, allowing atmosphere and balance to carry the weight of the piece.
Acrylic on canvas, 51 × 76 cm.
Blood in the Hills explores the meeting point between light and land. The composition is divided into two restrained fields, where colour appears to bleed from one into the other, creating a quiet sense of tension. I was interested in how opposing elements can exist in close proximity, held apart yet influencing one another.
The work reflects on duality and friction, on the subtle moment where contrast becomes connection. Through a limited palette and simple structure, the painting invites a slower reading, allowing atmosphere and balance to carry the weight of the piece.
